The Object developed from earlier works by Dhruva Mistry in which he combined
images of the human figure with geometric forms, or used an object – such as
a chair – to represent human presence. In this work he has created a curious
architectural structure of planes, crystalline forms and cut-outs, which alludes
to fairytale palaces and dream castles. Although there seems to be an entrance,
physical entry is impossible. As the viewer moves around the sculpture, perspectives
distort and expectations are confounded, in the same way as space is contorted
in an Escher drawing.

Dhruva Mistry was born and studied in India, coming to England in his early
twenties to further his career as a sculptor. His work combines the rich imagery
and narrative of Indian art with influences of Western sculptural traditions.
His commissions have included large public works such as his sculptural pieces
for Victoria Square in Birmingham.